During the past years we visited a number of exhibitions that in different capacities presented ideas and speculations on the future.In Panorama Konstantin Grcic draws from his own works, Sense No-sense examine recent Dutch design experience and technology and The Fab Mind consider design approaches to social issues. Closer to home, curator Petra Lilja departed from recent resurrection of craft for The Future is Handmade, outlining the current state of craft-oriented design and studio production. It’s a diverse collection of obejcts ranging from more traditional craft (Carsten Nilsson) to conceptual projects (Studio Formafanstasma) using newly developed manufacturing methods (Staffan Holm).
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